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James Brown & The Famous Flames, "I Don't Mind," Live at the Apollo, Polydor, 1963.Little Richard, "Tutti Frutti," Here's Little Richard, Specialty Records, 1957.The Swanee Quintet, "Take the Lord with You," Take the Lord with You, MCA, 1998.James Brown & The Famous Flames, "I'll Go Crazy," Live at the Apollo, Polydor, 1963.Terry Callier, "You Goin' Miss Your Candyman," What Color is Love, Cadet, 1972.Terry Callier, "900 Miles," The New Folk Sound of Terry Callier, Prestige, 1968.Greg says it's a Buy It record that requires close listening. City is wrestling with Compton's legacy in a way that eludes sound bites and lyrics-quoting. He thinks Lamar has yet to meet the rap cliché he couldn't upend. No amount of self-awareness, Jim says, makes it OK to indulge in 50 Cent-style misogyny. However he's troubled by the gangsta clichés. City live up to all the hype? Jim acknowledges Kendrick's skill as a lyricist - he says his rhymes are almost novelistic - and he understands he is taking on characters in his songs. Dre and rap tastemakers with his independent debut Section.80. The Compton rapper caught the attention of Dr. City Kendrick LamarĪt 25, Kendrick Lamaris shouldering some pretty heavy expectations for his major label debut, Good Kid, M.A.A.D. Never has he heard worse lyrics or more self-indulgent guitar from Neil. As much as it pains him, Neil's #1 fan Jim DeRogatis has to disagree. But standout tracks like " Ramada Inn" (about an affair gone sour) and " Walk Like a Giant" (in which Neil reflects on the hippie dream) make this record a worthwhile, if lengthy, listen. How good a prescription is Psychedelic Pill? Greg's the first to admit there's a lot of flab on this record. Now we have Psychedelic Pill- an epic three records' worth of psychedelic guitar from Neil and the band he was born to play with, Crazy Horse.
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This spring we got the antique folk romp Americana. Not only has he given us a memoir, Waging Heavy Piece, he's also given us two albums. Suddenly doo-wop and soul was starting to sound.funky. But as Greg notes, Live at the Apollo wasn't just a turning point for Brown personally, it was a turning point for music. High-energy numbers like "Night Train" and "Think" propelled Brown onto the pop charts and super-charged his career. He knew if radio listeners could just hear his live show, he could be "Gary Cooper big." He was right. As RJ explains, James Brown was all about the live experience. RJ's biography of Brown, The One: The Life and Music of James Brown, came out earlier this year. In honor of its fiftieth, Jim and Greg give Brown's Live at the Apollo a well-deserved Classic Album Dissection with help from music writer RJ Smith. It took Live at the Apollo - an album recorded fifty years ago last month on Brown's own dime- to catapult him onto the national stage. It's a sound that caught the attention of younger artists like Beth Orton and Devendra Banhart, and you can best hear it on the 1973 track " You’re Goin Miss Your Candyman." Live at the Apolloīefore he was America’s Godfather of Soul, James Brownwas the king of the South's segregated chitlin’ circuit. The Chicago native released a Chess Records debut in 1968, and went on to fuse folk with jazz and experimental music. Singer-songwriter Terry Callier never got the acclaim he deserved in the early part of his life, but as Greg explains, his influence was strong.
#Kendrick lamar good kid maad city itunes download
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